Production & Technical Information

• Proscenium Opening width: 33' 4'
• Proscenium Opening – Arch height: 23' 0''
• Proscenium to rear wall: 31' 9''
• Curtain line to rear wall: 29' 8''
• S.R. wing 15'w x 31' 9''d
• S.L. wing 13'w x 28' 9''d
• Thrust/Apron: installed over orchestra pit 36'w x 16'd (max. configuration)
• Grid Height:  49.5’
• Stage to Mid-Bridge:  19’
• Stage to Baton (when gridded):  44
• Stage to High Steel:  55’

• USR 400AMP
• MSR 200AMP
• DSR+DSL 100AMP

• Miscellaneous hospital grade 20 AMP Edison outlets located on both stage and orchestra levels.

• Two overhead roll-up doors. 10ft high by 8ft wide, stage right

• No dressing rooms on stage level
• Rooms are on second floor accessible by elevator
• 2 star dressing rooms with private full baths
• 2 chorus dressing rooms
• 2 dressing/production rooms under the stage, no elevator access.
• Men’s and Ladies’ restrooms across the hall from chorus rooms
• Men’s and Ladies’ restrooms next to 2 dressing rooms downstairs below stage
• Dedicated WIFI. Network and password located on wall of each dressing room.

• Single purchase counterweight system with 26 line sets at 800 lbs. each
• 3 Structural Beams-stage left, center and stage right running up-down stage for the use of 1/2 ton and 1 ton chain motor dead hung points. Motor points can be piped but will not be permitted to exceed 600lbs of dynamic weight.
• Truss in house 40 ft wide 12 in. wide 18 in. high 2 points 1200 lbs. max per point
• All battens are 42’ long
• Acoustic sound baffles – 3 orchestra shells 6'h x 42'w
• Drapery (black velour)
• 2 sets legs 24'h x 10’w
• 3 borders 10'h x 42'w
• 2 travelers 24'h x 42'w
• Burgundy Main Curtain (guillotine and traveler) 24'h x 42'w

• Muslin Cyc 24'h x 42'w
• White Scrim 24'h x 42'w
• Black Scrim 24'h x 42'w

• Call T.D. for updated “Rep.” Plot as well as list of additional stock
• Control: Grand MA 1 Full Board
• Dimmers: 144 ETC D20E dual 2.4 KW 20A dimmer modules (288 dimmers total)
• FOH: Cross stage catwalk at mid-orchestra
  • 10 Source 4 10º Ellipsoidals
  • 20 Source 4 19º Ellipsoidals
  • 2500 watt Aramis Robert Juliat Spotlights

• 4 each side Source 4 19º Ellipsoidals

• 6 each side Source 4 26º Ellipsoidals
• 4 each side Par 64

• 16 Par 64
• 7 Source 4 36º Ellipsoidals (per electric)
• 6 Source 4 26º Ellipsoidals (per electric)
• Electric 4
• 5 R-40 Border lights

• 8-Bases with 12ft pipe
• 1-6x9 and 2 6x12 each boom

• 4 Par 64
• 13 8” Fresnel
• 3 S4 36s
• 4 S4 26s
• 2 S4 19s
• 4-4 Light Audience Blinders on 1st. electric
• 4 – sets of ACL PAR 64 on line set 19

House will supply color gel for 4-color wash—Lav, Blue, Amber and Red

Licensee is responsible for all other color.

• 5 pin XLR outlet boxes to accommodate automated color media equipment
• outlet boxes for DMX controlled equipment.
• 14 floor pockets (stage pin) for 3 circuits with 6 outlets each.
• (8) bases and (8) 12’ pipes for side trees.
• 3-2500K Aramis Robert Juliat Spotlight
• 1-2K Strong super trooper

• Rehanging of any full electrics will incur additional charges.

• 1 – microphone
• 1 – monitor

• 1 – Whirlwind 40 Channel ISO Transformer/3way Splitter Snake
• 1 – Yamaha CL-5 Digital Console (72 mic inputs)
• 26 – L’acoustics Kara 2 way modular WST enclosure(13 House Left, 13 House Right Hang)
• 8 – L’acoustics SB18 subwoofer 1x18”(4 House Left, 4 House Right Hang behind Kara)
• 4 – L’acoustics 8XTi 2-way passive coaxial 8”LF + 1.5”HF(Front Fill)
• 4 – L’acoustics LA8 Amplified Controller 1800Watts@4ohms
• 2 – L’acoustics LA4X Amplified Controller w/PFC 4 x 1000w/4 ohms, Ethernet network)
• 4 – L’acoustics 8XTi 2-way passive coaxial 8”LF + 1.5”HF(Under Balcony)
• 1 – Tascam 112B Cassette Player
• 1 – Denon 650 CD Player
• 1-Rio 3216
• 1-Rio 1608

• 1 – Yamaha CL-5 Digital Console (72 mic inputs)
• 16 – L’acoustics 112P Powered Coaxial 12”+ HF 1.4” 1000W(wedges)
• 1 – QSC Drum Sub
• 2 – QSC Sidefills w/subs-KW153
• 1-Rio 3216
• 1-Rio 1608

• 1 – Shure SM91 Beta
• 1 – Shure SM52 Beta
• 1 – Shure SM58 Beta
• 9 – Shure SM58
• 5 – Shure SM57 Beta
• 4 – Shure SM57
• 5 – Shure SM81
• 3 – Sennheiser e604
• 1 – AKG D112
• 4 – Sennheiser 421 II
• 6 – Receiving Channels of Shure UR wireless
• 6 – Shure UR Handheld Transmitters
• 4 – Shure UR Bodypack Transmitters
• 3 – BSS AR116 Direct Boxes(active)
• 9 – Countryman DT-85 Direct Boxes(active)
• Sound System is configured in 5 zones. Left, Right, Sub, Front Fill, Underbalcony.
• Audio Power – 200 AMP, 3 phase, 5 wire
• Sound System is configured in 6 time delay zones.
• Audio Power – 200 AMP, 3 phase, 5 wire
• Miscellaneous hospital grade 20 AMP Edison outlets located on both stage and orchestra levels.

• Sharp Rear 4k Projector
• 10.5’ x 14’ rear projection video screen that hangs mid-stage independent of line set
• Christie 14K projector focused on upstage white cyc.
• 11x20 rear projection screen.

• 1 Yamaha Recording Drum kit 
• 1 SWR 800 Bass Head w/ 4 10”5                     
• 1 Roland JC 120 Amplifier                              
• Steinway 9 ft. Concert Grand Piano, Model D