Production & Technical Information

• Proscenium Opening width: 33' 4'
• Proscenium Opening – Arch height: 23' 0''
• Proscenium to rear wall: 31' 9''
• Curtain line to rear wall: 29' 8''
• S.R. wing 15'w x 31' 9''d
• S.L. wing 13'w x 28' 9''d
• Thrust/Apron (Installed over archestra pit): Single: 36’w x 8’d; Double: 36’w x 16’d
• Stage to Mid-Bridge (Stage Left and Stage Right): 19’h
• Grid Height: 49’5”
• Stage to Baton (when gridded): 44’
• Stage to High Steel: 55’

• USR 400AMP
• MSR 200AMP
• DSR+DSL 100AMP
• Miscellaneous hospital grade 20 AMP Edison outlets located on both stage and orchestra levels.

• Single purchase counterweight system with 26 line sets at 800 lbs. total weight each
• All battens are 42’ long
• Three (3) Structural Beams (High Steel) over stage. Center stage, stage left (15’ from center), and stage right (15’ from center) running up-down stage for the use of ½ ton and 1 ton chain motor dead hung points. Motor points can be piped but will not be permitted to exceed 650lbs Static, 500lbs of Dynamic weight. (House Rigger has final say where motor points will be permitted and their max load.)
• One (1) 1-ton chain motor off stage right to assist with unstacking/stacking of road cases and other items

• Burgundy Main Curtain (guillotine or traveler)
• Two (2) sets of stage legs: 24’h x 10’w
• Two (2) Full Stage Travelers: 24’h x 42’w
• Three (3) Electric Borders: 10’h x 42’w
• Muslin Cyc (Upstage of Black Traveler): 24’h x 42’w
• Black or White Scrim: 24’h x 42’w (available upon request)
• Off-stage tab curtains for Black Box Theater effect

• Call T.D. for updated “Rep.” Plot and guest file for console.

• LX Control Console: grandMA3 Light
• Dimmers: 144 ETC D20E dual 2.4 KW 20A dimmer modules (288 dimmers total)
• grandMA3 Processing Unit XL
• grandMA3 8-port Node

• Cross stage Catwalk at mid-orchestra: 48’w x 6’d; House Floor to Catwalk: 39’; Front of Stage to Catwalk: 39’
• Ten (10) ETC Source Four 750W 10° Ellipsoidals
• Eighteen (18) ETC Source Four 750W 19° Ellipsoidals

• Near Booms (House Right and House Left): 19’ from stage front edge
• Four (4) ETC Source Four 575W Ellipsoidals
• Mid Booms (House Right and House Left): 38’ from stage front edge
• Two (2) ETC Source Four 575W Ellipsoidals

• 11’ from front edge of stage; 31’ trim height
• Six (6) Martin Mac Aura PXL
• Five (5) Martin Mac Quantum Profile

• Electric 1: Line Set 3 (4’ 0” from Plaster)
  • Six (6) Martin Mac Aura PXL
  • Four (4) Martin Mac Quantum Profile
  • Two (2) Elation CUEPIX Blinder WW4 - 4X 100 Watt COB
  • Eight (8) ETC Source Four 575W Ellipsoidals: Two (2) 26° & Two (2) 36° per side (SL/SR)
• Electric 2: Line Set 13 (11’ 2” from Plaster)
  • Six (6) Martin Mac Aura PXL
  • Four (4) Martin Mac Quantum Profile
  • Eight (8) ETC Source Four 575W Ellipsoidals: Two (2) 26° & Two (2) 36° per side (SL/SR)
• Electric 3: Line Set 21 (18’ 6” from Plaster)
  • Six (6) Martin Mac Aura PXL
  • Four (4) Martin Mac Quantum Profile
  • Eight (8) ETC Source Four 575W Ellipsoidals: Two (2) 26° & Two (2) 36° per side (SL/SR)
• Electric 4: Line Set 24 (23’ 0” from Plaster)
  • Four (4) Martin Mac Aura PXL CYC Lights

• Stage Booms:
  • Six (6) Upright 10’ Tall Stage Booms with 50lb base
  • Three (3) ETC Source Four 575W Ellipsoidals (Top 26°, Mid 36°, Bottom 36°) per boom
  • Stage Booms are stored disassembled. Please notify LD and Director of Production if you intend to use booms for performance prior to show day.
• Ground Package:
  • Four (4) Martin Mac Quantum Profile
  • Two (2) Martin Aura PXL

• Sixteen (16) ACL PAR 64 (can be hung on Line Set 19 with advanced notice)
• Fifteen (15) ETC Source Four 575W Ellipsoidals (Assorted 10°, 26°, 36°, 50° barrels available)
• Forty (40) PAR 64
• Ten (10) Fresnel (Some on Bases)

• Three (3) 2500 K Aramis Robert Juliat Spotlights
• One (1) 2K Strong Super Trooper

• House Gel: The house can supply standard Blue, Red, Amber and Lav gel for ETC Source Four and PAR 64 lights. Licensee will be responsible to advance any specific gel requirements for FOH stage wash or side booms utilizing gel frames.
• All Electrics (FOH Catwalk, House Booms, and Over Stage Electrics) are equipped with:
  • 5 pin DMX outlet boxes to accommodate automated color media equipment boxes for DMX controlled equipment.
• There are Fourteen (14) floor pockets (stage pin); each with 3 circuits (2 outlets per circuit).

• Christie 14K-M Series Projector with M-Series 0.67 HD 3-Chip DLP Lens
  • Preferred input: HDMI or SDI
• 28’ x 16’ Roll Down Draper Projector Screen
  • Located Upstage of Full Stage Black Traveler and White CYC
• Two (2) 85” TV Ad/Video Playback/IMag Screens located in the house outside of the Proscenium
• Two (2) SDI runs from FOH to Stage Right Video Work Box for Projector and House Screen video feeds
  • Alternate playback positions available if needed
• Camera Equipment:
  • Sony NXCAM AVCHD Mpeg2 SD Exmor 3CMOS
    • Manfrotto MVH 502A Fluid Head on a Manfrotto 546GB Pro Video Tripod w/ Ground Level Spreader
    • with Manfrotto RC Clamp LACN Zoom/Focus Remote

One (1) Chauvet Professional AmHaze Stadium (Water Based)

• Yamaha Maple Custom Recording Drum Kit:
  • 14” x 7” Yamaha Rock Tour Snare
  • 18” Yamaha Maple Custom Kick
  • 22” x 15” Yamaha Maple Custom Kick
  • 13” Yamaha Maple Custom Tom
  • 12” Yamaha Maple Custom Tom
  • 10” Yamaha Maple Custom Tom
  • 16 x 14” Yamaha Maple Custom Tom
  • Cymbals:
    • 22” Zildjian Ride
    • 20” Zildjian Ride
    • 18” Zildjian Crash
    • 15” Zildjian Crash
    • 14” Zildjian Hole in Crash
    • 14” Hi Hat Set
  • Stands and Pedals:
    • Yamaha Snare Stand
    • Pearl Kick Pedal
    • Four (4) Yamaha Cymbal Stands
    • Yamaha Hi Hat Stand
    • Rack Tom Stand
  • Yamaha Drum Throne
• One (1) SWR 800 Bass Head with 410
• One (1) Roland JC Q120 Amplifier
• One (1) Steinway 9ft. Concert Grand Piano, Model D (Tuning available upon request)
• One (1) Matador LP Bongos
• Five (5) Hercules Guitar Stands
• One (1) Lasco Stage Fan

• Assorted Ladders
• One (1) ClearCom MS-702 wired com & belt packs
• Sixty (60) Music Stands
• Forty (40) Music Stand Lights (wired)
• Forty (40) Orchestra Chairs
• Genie AWP-25S Personnelle Lift
• Orchestra Risers
  • Eight (8) 8’w x 4’d; Available Heights: 8”, 12” and 24”
• Marley Dance Floor
• Twelve (12) Black Wooden Stage Stools
• Pipe and Drape
  • Eight (8) Bases; Eight (8) Adjustable Uprights; Eight (8) Cross Braces (9’ up to 16’); Sixteen (16) 8’h x 9’w Black Curtains

• Twenty-six (26) L’acoustics Kara 2 way modular WST enclosure(13 House Left, 13 House Right Hang)
• Eight (8) L’acoustics SB18 subwoofer 1x18”(4 House Left, 4 House Right Hang behind Kara)
• Four (4) L’acoustics 8XTi 2-way passive coaxial 8”LF and 1.5”HF (Front Fill)
• Four (4) L’acoustics LA8 Amplified Controller 1800Watts@4ohms
• Two (2) L’acoustics LA4X Amplified Controller w/PFC 4 x 1000w/4 ohms, Ethernet network)
• Four (4) L’acoustics 8XTi 2-way passive coaxial 8”LF + 1.5”HF(Under Balcony)

Sound System is configured in 5 zones. Left, Right, Sub, Front Fill, and Underbalcony. Audio Power – 200 AMP, 3 phase, 5 wire

• One (1) Whirlwind 58 Channel ISO Transformer/3way Split Snake (1 Main, 2 Aux)
• Two (2) Yamaha CL-5 Digital Console (48 mic inputs)
• One (1) Denon 650 CD Player
• Two (2) Yamaha Rio 3224-D
• Two (2) Yamaha Rio 1608-D
• One (1) Clearcom MS-702 wired com & beltpacks
• One (1) Clearcom Freespeak II w/ five (5) beltpacks

• Fifteen (15) L’acoustics 112P Powered Coaxial 12” and HF 1.4” 1000W wedges
• One (1) QSC Drum Sub
• Two (2) QSC KW153 1kW 75º Active Loudspeakers (Side Fills)
• Two (2) QSC KW181 1kW Active Subwoofers (Side Fills)

• Six (6) Shure Axient Wireless Handhelds
• Five (5) Shure UR Handheld Transmitters
• Four (4) UR Bodypack Transmitters
• Six (6) Shure Axient Beltpacks
• Three (3) Shure Beta 98
• One (1) Shure Beta SM91
• Three (3) Shure Beta SM52 Kick Drum Microphones
• Two (2) Shure Beta SM58
• Nine (9) Shure SM58 Vocal Microphone
• Five (5) Shure Beta SM57
• Five (5) Shure SM57
• Five (5) Shure SM81 Condenser Microphones
• Three (3) Seinnheiser e906
• Eight (8) Sennheiser e604
• Four (4) Sennheiser MD 421-II Dynamic Microphone
• One (1) AKG D112
• AMT Piano Miking System

• Four (4) Radial ProD2 2-channel Passive Instrument Direct Box
• Two (2) Radial ProDI 1-channel Passive Instrument Direct Box
• Three (3) Whirlwind pcDI 2-channel Passive A/V Direct Box
• Three (3) BSS AR116 Direct Boxes (Active)
• Nine (9) Countryman DT-85 Direct Boxes (Active)

• Nine (9) Atlas Round Base Straight Stands
• One (1) K&M Round Base Straight Stand with Clutch
• K&M Boom Stands:
  • Choir - Four (4)
  • Tall - Thirteen (13)
  • Short - Nine (9)
  • Mini - Five (5)

• Two (2) overhead roll-up dock doors; 10’h x 8’w (located stage right)
• One (1) 6’ x 3’ Loading Ramp
• One (1) 15’ x 3’ Loading Ramp