Production & Technical Information

TECHNICAL INFORMATION

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Stage

• Proscenium Opening width: 33' 4'
• Proscenium Opening – Arch height: 23' 0''
• Proscenium to rear wall: 31' 9''
• Curtain line to rear wall: 29' 8''
• S.R. wing 15'w x 31' 9''d
• S.L. wing 13'w x 28' 9''d
• Thrust/Apron: installed over orchestra pit 36'w x 16'd (max. configuration)

Power

• USR 400AMP
• MSR 200AMP
• DSR+DSL 100AMP

Truck Access

• Single overhead roll-up door 8ft high by 10ft wide, stage right

Dressing Rooms

• No dressing rooms on stage level
• Rooms are on second floor accessible by elevator
• 2 star dressing rooms with private full baths
• 2 chorus dressing rooms
• Men’ and Ladies’ restrooms across the hall from chorus rooms
• Men’s and Ladies’ restrooms next to 2 dressing rooms downstairs below stage

Rigging

• Single purchase counterweight system with 26 line sets at 800 lbs. each
• All battens are 42’ long
• Acoustic sound baffles – 3 orchestra shells 6'h x 42'w
• Drapery (black velour)
• 2 sets legs 24'h x 10’w
• 4 borders 10'h x 42'w
• 2 travelers 24'h x 42'w
• 1 blackout 24'h x 42'w
• Burgundy Main Curtain (guillotine and traveler) 24'h x 42'w

Optional Package (for additional cost, see additional equipment)

• Muslin Cyc 24'h x 42'w
• White Scrim 24'h x 42'w
• Black Scrim 24'h x 42'w

LIGHTING PACKAGE:

SUPPLIED WITH LICENSE - REPERTOIRE PLOT

• (Call T.D. for updated “Rep.” Plot as well as list of additional stock)
• Control: ETC Expression 3 control console with 1200 channels
• Dimmers: 144 ETC D20E dual 2.4 KW 20A dimmer modules (288 dimmers total)
• FOH: Cross stage catwalk at mid-orchestra
  • 10 Source 4 10 Ellipsoidals
    • 20 Source 4 19 Ellipsoidals

Mid Booms

• 4 each side Source 4 19 Ellipsoidals

Near Booms

• 6 each side Source 4 26 Ellipsoidals
• 4 each side Par 64

On Stage: Electrics 1 – 3

• 16 Par 64
• 7 Source 4 36 Ellipsoidals (per electric)
• 6 Source 4 26 Ellipsoidals (per electric)
• Electric 4
• 5 R-40 Border lights

Additional Units 5 R-40 Border lights are available for floor.

• 5 Par 64
• 13 8” Fresnel
• 3 S4 36s
• 4 S4 26s
• 2 S4 19s
• 10 Altman 6x9
• 20 Altman 6x12
• 4-4 Light Audience Blinders
• 4 – sets of ACL PAR 64

All electrics (FOH catwalk, booms, and on stage electrics) are equipped with:

• 4 pin XLR outlet boxes to accommodate automated color media equipment
• outlet boxes for DMX controlled equipment.
• 14 floor pockets (stage pin) for 3 circuits with 6 outlets each.
• (8) bases and ( 8) 12’ pipes for side trees.

HANGING/REFOCUS FEE:

• Refocus and/or rehanging of more than 6 instruments will incur a charge to be determined

Basic Sound Package: Supplied for $500

• 1 Meyer MSL-4 main speaker per side
• 1 Meyer 650-P sub per side
• EAW JF-80 and Meyer UPA speakers for delays
• 12 channel on the house sound console (Yamaha PM-3500)
• Access to house microphone inventory (excludes wireless system)
• 2 wedge monitors (single mix) controlled from house sound console

Premium Sound Package: Supplied for $1,500

• 1 – Whirlwind 40 Channel ISO Transformer/3way Splitter Snake
• 1 – Yamaha PM 3500 52 Slot (48 mono + 4 Stereo)
• 2 – Klark Teknik DN 360 Dual 31Band Equalizer (Mains L&R, Under Balcony, Front Fill)
• 1 – Meyer Sound Lab CP-10 Dual Parametric Equalizer (Balcony Fill)
• 1 – Urei 539 Single 31Band Cut Only (Subs)
• 4 – Yamaha 1030 Digital Delay (Time Zone Alignment)
• 1 – DBX 160XT Single Channel Compressor
• 3 – DBX 1046 (12 Channels of Compression)
• 5 – Drawmer (10 Channels of Gates)
• 1 – Lexicon PCM 91 Digital Reverb
• 2 – Yamaha PRO R3A Digital Reverb
• 1 – Yamaha SPX 1000 Multi Effects Processors
• 8 – Meyer Sound Lab MSL-4 (Main Left and Right)
• 4 – Meyer Sound Lab 650-P (Subs)
• 6 – Meyer Sound Lab UPA-1C (Balcony Fill)
• 10 – EAW JF80 (Front Fill/Under Balcony)
• 1 – Tascam 112B Cassette Player
• 1 – Denon 650 CD Player
• 1 – Panasonic 3800 DAT Machine
• 6 – Channel Shure Wireless Combo w/4 Lav Beltbacks & 6 Handhelds

Monitors

• 1 – 56 Channel 24 Output Yamaha 4000M Monitor Console
• 3 – DBX 2231 Dual 31Band Equalizer
• 2 – Klark Teknik DN 360 Dual 31 Band Equalizer
• 12 – Meyer Sound Lab UM1-P Stage Monitors
• 1 – QSC Drum Sub
• 1 – Yamaha Pro 3 Multi-Effects Unit

Microphones

• 1 – Shure SM91 Beta
• 1 – Shure SM52 Beta
• 3 – Shure SM58 Beta
• 7 – Shure SM58
• 5 – Shure SM57 Beta
• 5 – Shure SM57
• 5 – Shure SM81
• 4 – Shure S98
• 1 – AKG D112
• 7 – Sennheiser 421 II
• 10 – BSS Direct Boxes
• 3 – Countryman Direct Boxes
• 1 – AMT M40 Piano Mic
• 1 – AMT S25B Upright Bass Mic
• Sound System is configured in 6 time delay zones.
• Audio Power – 200 AMP, 3 phase, 5 wire
• Miscellaneous hospital grade 20 AMP Edison outlets located on both stage and orchestra levels.

Additional Equipment

All work on stage and in theater, including but not limited to, load in/out, set-up, focus (lights), sound, rigging, fly system use, staging, electrical, carpentry, props, wardrobe, etc., must be performed by IATSE Local 632 stagehands.